Wyszukiwanie
polski
  • English
  • 正體中文
  • 简体中文
  • Deutsch
  • Español
  • Français
  • Magyar
  • 日本語
  • 한국어
  • Монгол хэл
  • Âu Lạc
  • български
  • bahasa Melayu
  • فارسی
  • Português
  • Română
  • Bahasa Indonesia
  • ไทย
  • العربية
  • čeština
  • ਪੰਜਾਬੀ
  • русский
  • తెలుగు లిపి
  • हिन्दी
  • polski
  • italiano
  • Wikang Tagalog
  • Українська Мова
  • Others
  • English
  • 正體中文
  • 简体中文
  • Deutsch
  • Español
  • Français
  • Magyar
  • 日本語
  • 한국어
  • Монгол хэл
  • Âu Lạc
  • български
  • bahasa Melayu
  • فارسی
  • Português
  • Română
  • Bahasa Indonesia
  • ไทย
  • العربية
  • čeština
  • ਪੰਜਾਬੀ
  • русский
  • తెలుగు లిపి
  • हिन्दी
  • polski
  • italiano
  • Wikang Tagalog
  • Українська Мова
  • Others
Tytuł
Transkrypcja
Następnie
 

Painting the Light: The “Eternal” Claude Monet, Part 2 of 2

2022-08-07
Język:English
Szczegóły
Pobierz Docx
Czytaj więcej
Led by Monet and his friend group of fellow artists, Impressionism was born around 1874. As Monet said, “Since the appearance of Impressionism, the official salons, which used to be brown, have become blue, green, and red.” That is how Monet and his fellow impressionist artists conquered the art establishment of Paris.

In his lifetime, Monet painted over 250 paintings of water lilies. He produced a collection of works which include Haystacks, Poplars, the Rouen Cathedral, and the Houses of Parliament, painted at different times of day. In 1912, Monet’s Venice exhibition was hailed with significant critical acclaim. He produced 37 views of Venice, showcasing the famous Venetian haze. He also created many wonderful pictures of the Seine.

Monet spent his lifetime achieving mastery as a painter in order to represent the wider world as it appeared to him. He said, “I’m not a great painter… I only know that I do what I can to convey what I experience before nature and that most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist, that is.”

Instead of painting in studios, Monet painted outdoors, seeking to depict lights, shapes, and colors as his eyes actually perceived them. Throughout his life, he continually sought to sharpen his perception on the ever-changing nature of light and color on natural scenes. From the grime of a Paris railway station to the incandescent beauty of his gardens in Giverny, he transferred his unique perception of the natural world directly to the canvas, thereby forging an entirely new direction in the world of art. Monet went on to paint more than 2,500 paintings in his lifetime, though some were lost, stolen, or destroyed.

Claude Monet passed away on December 5, 1926, leaving an extraordinary legacy of artworks. He said, “I want to paint the air in which the bridge, the house, and the boat are to be found – the beauty of the air around them – and that is nothing short of impossible.” The work of the artist who sought to paint the “impossible” was immortalized. To the world, he may well have become the “eternal” Claude Monet, as his marvelous perceptions continue to awaken our inner creativity and appreciation of nature.
Obejrzyj więcej
Odcinek  2 / 2
Obejrzyj więcej
Modele sukcesu  47 / 100
42
2022-10-09
1189 Poglądy
48
2022-07-31
1526 Poglądy
53
2022-05-15
1306 Poglądy
54
2022-04-30
1338 Poglądy
58
2022-03-03
928 Poglądy
59
2022-02-25
1492 Poglądy
62
2022-01-30
1519 Poglądy
65
2021-11-28
1753 Poglądy
69
2021-10-10
2499 Poglądy
70
2021-10-05
2680 Poglądy
71
2021-09-26
1100 Poglądy
72
2021-09-17
1396 Poglądy
89
2020-09-06
2958 Poglądy
90
2020-08-30
3098 Poglądy
93
2020-06-07
2357 Poglądy
97
2020-03-22
1721 Poglądy
98
2020-03-15
2305 Poglądy
Udostępnij
Udostępnij dla
Umieść film
Rozpocznij od
Pobierz
Telefon komórkowy
Telefon komórkowy
iPhone
Android
Oglądaj w przeglądarce mobilnej
GO
GO
Prompt
OK
Aplikacja
Zeskanuj kod QR lub wybierz odpowiedni system telefoniczny do pobrania
iPhone
Android